The scenario piles improbability upon improbability in an attempt to introduce fresh twists to an already exhausted premise.

~ Keith Hennessey Brown -

The scenario piles improbability upon improbability in an attempt to introduce fresh twists to an already exhausted premise.

~ Keith Hennessey Brown -

Hostel is, on one level, your standard slice-and-dice bloodbath... but it's also a startlingly brazen attack on America's sense of entitlement.

~ The Exile -

Hostel is, on one level, your standard slice-and-dice bloodbath... but it's also a startlingly brazen attack on America's sense of entitlement.

~ The Exile -

The characterisation of this verdant terra incognito is decidedly old-fashioned, like a racist grandpa who insists on holding the door for ladies.

~ Andrew Robertson -

The characterisation of this verdant terra incognito is decidedly old-fashioned, like a racist grandpa who insists on holding the door for ladies.

~ Andrew Robertson -

This is far from traditional, neutral journalism, but it's effective.

~ Jennie Kermode -

This is far from traditional, neutral journalism, but it's effective.

~ Jennie Kermode -

The film is not dedicated to the NRA although it should have been.

~ Angus Wolfe Murray -

The film is not dedicated to the NRA although it should have been.

~ Angus Wolfe Murray -

Though none of the young leads play a particularly personable character, it is a testament to the overall quality of the piece - writing, direction and performances alike - that one nevertheless feels for them.

~ Keith Hennessey Brown -

Though none of the young leads play a particularly personable character, it is a testament to the overall quality of the piece - writing, direction and performances alike - that one nevertheless feels for them.

~ Keith Hennessey Brown -

The film takes its name from a space defined by boundaries, but it doesn't even bother to colour inbetween the lines.

~ Andrew Robertson -

The film takes its name from a space defined by boundaries, but it doesn't even bother to colour inbetween the lines.

~ Andrew Robertson -